When I was young, I often read Japanese novels of the detective and thriller genre. In Chinese of course. There is this Oriental exoticism that is different from the similar stories of the West. The twists and turns, the ambiance, the backdrops, and the attention to details like an art – all in a pace that is less of a page turner, but rather a consistent grind from start to end. In a strange way, watching the 125 minutes Japanese film “Amalfi” reminds me of just that.
“Amalfi” is a special production to mark Fuji Television’s 50th anniversary, entirely shot in Italy. The scenery is beautiful. As Cynthia and I watched the movie, some scenes reminded us of our honeymoon back in 2000. The plot is full of twists, though somewhat linear. You could of course sit back and watch the movie as it is. Or you could – like me – think together with the actor, as he pauses, eyes dashing around the surrounding, and the music stops giving you the opportunity to think.
As for the storyline, I wouldn’t say too much here. But here is the excerpt. A single mother has gone for a holiday with her little daughter in Italy and soon, her daughter is kidnapped. A Japanese diplomat has joined the Japanese Embassy in Rome and is assigned to handle this kidnap case. Soon, they discover that this entire setup is more than just a kidnap.
I can understand that some may find this movie a bit too long and boring. Some parts are a bit far fetched, though by and large, the storyline makes sense. I in especially am delighted by the acting: a single mother who has to appear strong under even the most trying period of her life, a diplomat who has poor communication skill but his eyes say it all. “Amalfi” is more than a thriller. I am not a Japanese. But it is refreshing to see a Japanese film taking on the International arena. I for one am awed by the breathtaking scenes shot in Rome. One scene, they are taking a public bus, standing with the crowd, the camera gradually zooms out, through the bus window. As the bus drives away, there it is, the famous backdrop of Rome. Such class!
PS. I think the filmmakers are big, big fan of Sarah Brightman.
