Categories
Hard Rock & Metal Music Reviews

Axl Rose, You Are My Hero! (I Know I Have Said it Before and I’m Saying it Again)

So called 17 years in the making, 15 years I have waited for another Guns N’ Roses fix, hell yes I have enormous expectation on “Chinese Democracy”.  And the good news is, I am so delighted that this most expensive album never made has finally see the daylight.  To the naysayers who toss a few stars lesser than what “Chinese Democracy” deserves, do you even love Rose’s music in the first place?

Axl Rose is my hero, my inspiration.  Sure, he heck cares about his fans and if not for the lyrics of the last song “Prostitute”, I wouldn’t even have a glimpse on what the heck Axl Rose has been fighting for, for 15 or 17 years (depending if you are counting from his band’s last studio album or cover album).  If his music has been in your head for the last 2 decades, you should have no problem relating to the music and the lyrics of “Chinese Democracy”.

First, let me clear the air here for those who say G N’ R is no longer G N’ R.  I own both albums by Velvet Revolver (formed mostly by the ex-band members of Guns ‘N Roses).  Guns N’ Roses without Axl Rose (read: Velvet Revolver) sounds nothing like Guns N’ Roses.  Even with one original member left, “Chinese Democracy” still sounds very much like a G N’ R production.

I think most exceptional artists are kind of eccentric.  Axl Rose is no exception.  What Guns N’ Roses has done with “Use Your Illusion I & II” is exceptional, unheard of.  A simultaneous release of two mega rock albums?  In recent years, Red Hot Chili Peppers released a double album “Stadium Arcadium”.  That is the only production that remotely reminds me of “Use Your Illusion (1991)”.  Still, songs like “November Rain”, “Don’t Cry”, “Civil War”, and “14 Years” have such a deep impression that till today, I still listen to.  Rewind to “Appetite for Destruction (1987)”, which electric guitarist wouldn’t be tempted to learn playing “Sweet Child o’ Mine”?  I have.  At least the beginning bit.

In fact, one of the first few songs I learned after I picked up guitar as my new hobby in my UK days was “Patience” from the “G N’ R Lies (1988)” album.  Lovely acoustic piece.  And strange to say, I do like the cover album “The Spaghetti Incident? (1993)” a lot.  Not their commercial success, I suppose.  But it is a rare gem.  Being able to execute so flawlessly in one cohesive album, only G N’ R can do it.

14 songs in “Chinese Democracy” total up to over 70 minutes of solid music.  The reassembled G N’ R has been touring for decades, without an album.  Hence, there is no surprise that the songs from this album sound so tight.  Pay attention to how the pieces of instruments weave together, pay attention to how well each piece balances with one another, no band these days make albums like this anymore – both from the music and recording perspectives.  To demonstrate my point on sound engineering, pick up an old rock CD (like one or two decades old) and play on your audio system.  Now, pick a recent rock CD and play.  Don’t you think that music these days are loud and in-your-face?  From the sound engineering’s standpoint, “Chinese Democracy” sounds just like a good old rock album.  Very well balanced.  Good stuff.

From the music standpoint, “Chinese Democracy” certainly contains more variety probably due to the countless number of band members coming and going and returning over such a long period in time.  One number starts with a Spanish guitar; all the songs come with solid memorable guitar solos; some I enjoy listening to the keyboard and piano tracks a lot.  The slower measures such as “If The World”, “There Was A Time”, and “Madagascar” are great tracks.  When Axl Rose sings the lines “It was a long time for you, it was a long time for me”, I can’t help but to smile at this subtle sad irony though the song appears to refer to something else.  And in the song “Sorry”, listening to the lines of “I’m sorry for you, not sorry for me.  You don’t know who in the hell to or not to believe”, I can’t help but to imagine this subtle message from him to his ex-band members.

When I first read the song title “Prostitute” (last song), I took the song at face value.  So it did seem that the song is about a prostitute.  Then the following line hits me: Ask yourself why I would choose to prostitute myself to live with fortune and shame.  That just occurs to me why Axl Rose may have been fighting with his record company or the system for so many years.

No doubt Axl Rose’s recorded vocal track sounds better than all that I have previously heard of.  The signature high notes are everywhere, overloaded with the signature pitch bending.  There is a nice tender side that shines, and the harshness that adds texture to his vocal track.  I can feel the emotion when he sings, as though he means everything he sings.  Awesome.

Today I am a happy man.  15 years of waiting is over.  Isn’t life simply awesome?

External Link: G N’ R Official Site

Categories
J Pop Music Reviews

YUI – My Short Stories – Did You Know This is a B-Side Compilation?

No I didn’t.  Nor the Oricon chart cares.  21 years old Japanese singer songwriter and one-time actress releases a b-side album and it charted at #1.  I couldn’t believe my eyes when I saw her 4th album “My Short Stories” at HMV.  Wasn’t it this April when she released her last studio album?  I am still regularly listening to “I Loved Yesterday”.  By April 27, I have listened to that one song “LOVE & TRUTH” no less than 400 times.  By June 13, I estimated the played time of the same song to be 5,000.  Today, you connect the dots and tell me how many times “LOVE & TRUTH” has killed me softly again, and again.

I couldn’t contain my excitement when I first listened to YUI’s “My Short Stories”.  But something was missing, something didn’t seem right.  I was desperately looking for the rock identity (“Rolling Star” anyone?) that YUI has evolved from her shy, simple, pleasant debut but I found none; I was desperately looking for the new symphonic sound (like my beloved “LOVE & TRUTH”) and I found none neither.  YUI seems to have returned to her root in the first few tracks (kind of too early for a budding 21 years old artist don’t you think?).  Onto the fifth song “Jam”, the rock identity seems to surface.  And I am falling more in love with the album as the track number increases.  “I Wanna Be”, “Cloudy”, and “Crossroad” are some of my favorite tracks.  The last song, a nice slow one – “Why Me” – wraps up the compilation nicely.

There is still no “LOVE & TRUTH” that I so long for.  But as an album disregarding that it is a b-side compilation, I wouldn’t be able to distinguish it from the rest of her studio albums in terms of production quality.  I am indeed delighted to learn that this is a b-side compilation because now I get to better appreciate another side of YUI, to relive her growth once again.  PS. The below nicely done video, “I’ll Be”, is the only new song from the compilation.

Accompanying her CD is a DVD collection of three video clips and a set of live recording.  OK, I am not going to defend her vocals in a band setting because it is simply not her strength.  Simply put, YUI sounds much better with just YUI and her guitar and I suspect she composes her songs with just that (on that note, I think I can personally relate).  In some of the live clips, a few cameras were following her wandering the streets of Sapporo, Sendai, and Hiroshima with her guitar.  In one classic act like she used to do before she becomes famous, she sat down in a quiet corner, took out her guitar and started singing.  Gosh, she is my inspiration.  Need not to say, it didn’t take long for the crowd to build up during those live recording sessions on the street.

Some artists are just worth the effort to follow their music careers with, to quietly and patiently observe how they grow.  If you are new to YUI, start with her movie “Midnight Sun”.  It won’t go wrong.

Related Entries:

Categories
Misc Music Reviews

Flight of the Conchords – Looking for A Good Laugh from Listening to Your CD?

Rarely do I come across a music album that put a smile to my face every time I put it on.  Kudo to these two New Zealanders – the comedy duo Bret McKenzie and Jemaine Clement – whom I have made an introduction here after my HBO blogger event.

In the first ten listens, you probably won’t get all the jokes from within this album of 15 songs.  Even so, you shall be love-at-first-sight with the rap song “Hiphopopotamus Vs. Rhymenoceros” like I do.  One part, after Bret has done his part, Jemaine took over and rapped, “They call me the hiphop-potamus, my lyrics are bottomless …”  And he got stuck running out of words to say while the music goes on and on.  That is hilarious.  I really shouldn’t go into the subsequent lyrics of “My rhymes are so potent that in this small segment, I made all the lady listeners pregnant” here.  Note: their stage names are actually Hiphopopotamus and Rhymenoceros.

While many people like the back-to-the-eighties-Pet-Shop-Boys sound-alike song, “Inner City Pressure”, I find the song “Robot” very original, very entertaining.  It is a song about the future … erm year 2000 … when robots took over the world.  It never fails to make me laugh with the binary solo.  Believe me, they actually rap in zeroes and ones.  And when Jemaine bursts out the line, “Come on sucker lick my battery”, that got me laugh-out-loud every time.

Majority of the songs, they have woman as the subject and turn it into something absurdly funny.  Like the song “Ladies of the World”, they sing …

If every soldier in the world
Put down his weapon and picked up a woman
What a peaceful world this world would be

Or the song, “Think About It” …

A kiss is not a contract but it’s very nice
Just because you’ve been exploring my mouth
Doesn’t mean you get to take an expedition to the south

These sort of lyrics got me shaking my head with a smile every time I hear the songs.  Who would have dreamed up lyrics like that?! 

Musically, there are the pop, the rap, the eighties, the funk, and more.  Some songs I still don’t quite get it.  Like David Bowie’s nipple antenna.  Another song that is pretty gross is “Business Time”.  That song lasts 4 minutes while the rather un-sexy love making story within the song only lasts for … 2 minutes.  Very funny, regardless.

The HBO TV adaptation of their music acted by them contains more songs than this album.  Till today, that one line “ALBI the racist dragon” still stuck in our minds – Cynthia and I.  In that particular episode, Bret and Jemaine – two New Zealanders struggle to have gigs in America – faces a lot of racism from the people in the neighborhood.  Towards the end of the show, when the Americans realized that they are not the Australians, the Americans suddenly become very friendly to them.  We thought that is a pretty funny episode to watch.  These New Zealanders always try to poke fun at the Australians whenever they can.

Rarely is there a music album that is funny and yet with class.  “Flight of the Conchords” is one album worth checking out.  You may need to listen to it a few times to get the jokes.  But it’s worth the effort I am telling ya.

Categories
J Pop Music Reviews

Ayumi Hamasaki Complete Singles – Is This for You?

Hardcore Ayu fans will get this, regardless.  For just over S$30, even if most of us – the fans – have already had most of her albums (I have close to 300 songs of hers that amount to 23 hours of continuous enjoyment), this box-set is a very nice to have.  It has:

  • A beautifully printed booklet that contains a selected set of single covers of hers
  • A rare DVD that contains a live recording of her 2003 tour in Tokyo as well as the a-nation recording from 2002-7 (Ayumi releases 2 live DVDs per year – the countdown tour at year end and the arena tour in the summer – but not the a-nation, which is an Avex organized tour for the artists from the same record label)
  • A 3-CD set that contains all the singles released from “A Song for XX (1999)” to “Guilty (2008)” including the new single “Mirrorcle World” and a Chinese version of the song “Who”
  • The hidden track “Kanariya” from the “Loveppears (199)” album – the first hidden track ever to make it to a single release
  • Lyrics, with Chinese translation

I don’t have her first official album so I am happy for these 5 songs that are “new” to me.  If you have already got the “A Best (2001)” as well as the “A Best 2 -Black- (2007)” and the “A Best 2 -White- (2007)” like I do, do you still need yet another compilation album?  Here are some of the analysis for you.

  • 11 out of 44 songs from “Complete Singles” exist in “A Best (2001)”
  • 16 out of 44 songs from “Complete Singles” exist in “A Best 2 (2007)”
  • 26 out of 44 songs from “Complete Singles” exist in “A Best (2001)” and “A Best 2 (2007)”
Categories
Country Folk & Jazz Music Reviews

Best of Olivia Ong – Didn’t Know That She Is a Singaporean Singer, Gasp!

I may as well be the last Singaporean on earth to have heard of Olivia Ong.  You know what it is like when you turn on your radio and people would ask, “Who’s that singer”?  I got that a lot (from non-Singaporeans) when I put on Olivia’s compilation album, in a positive way.

I confess that I am not that into local music talents.  “Best Of” is my second Singaporean CD (read on to see what the first one is!) and I couldn’t resist such a crisp, soothing, and seemingly innocent voice.  Who’s that girl?!

You may have already known how much I am not into cover music, set aside oldies (I was however in love with oldies when I was really young, when MJ and Madonna ruled the chart).  There isn’t much musical arrangement in her tracks, simple and sparse, but yet some of the songs captivate me.  Seriously, if I have a friend who can sing like Olivia, I wouldn’t mind hearing her sings every day.  And if someone has a voice like Olivia, it really doesn’t matter how simplistic the music is.  Though it wouldn’t hurt if her further releases raise the level of sophistication in terms of music arrangement as well as perhaps to add more soul into the songs.  Totally head to the Jazz direction and I could be a huge fan.

When I first listened to the opening track of “Best Of”, I thought Olivia is a Japanese.  Half of “Sweet Memories” is in Japanese and I happen to like that a lot.  Not sure about the authenticity of the pronunciation.  But she sounds convincing enough to me.  If you are a native Japanese, please tell me how off my observation is.  Olivia is also the only Singaporean who is entering into the Japanese music scene.  Impressive.

I love Simply Red‘s “For Your Babies” and her interpretation works for me.  Probably one of the strong reason why I bought this album together with that half-Japanese-half-English song originally by Akiko Kobayashi (小林明子) called “Fall In Love”.  And for some unknown reasons, I also love the upbeat and playful Jazz-feel track “Feelin So Good”.  Does that bonus half-Chinese-half-English song “Butterfly” sound like a good old Shirley Wong (later known as Faye Wong) song?  Certainly to me.

Now, back to the first Singaporean CD I have bought, it was recorded by Min Lee the classical violinist quite a number of years ago.  I just realized that Min Lee has released her second album.  I hope I can find it in a store nearby.  Time to lend the local industry some support!

Update 07.01.2009

Since Oct, 2008, there has been lots of comments and keen inquiry on Olivia Ong.  First of all, thanks for dropping by.  Also through this blog entry, I managed to get in touch with one of her band O2Q member Alvin.  And he has shared one set of the videos on their recent live performance in Singapore.  Do check them out.  Hope you enjoy as much as I do.  The band is very professional too.  Great stuff.

Part 1 of 4

Part 2 of 4

Part 3 of 4

Part 4 of 4

Categories
J Pop Music Reviews

Rimi Natsukawa 夏川りみ – Self Selection – My Comfort Album

There is comfort food.  And there is comfort music too, I reckon.  You know how it is like when every time you listen to a particular song or album and that triggers a particular memory of yours?  Maybe “Last Christmas” was played when you gave your first kiss away, maybe “I Don’t Wanna Miss A Thing” is your theme song with that special someone, or maybe you were listening to “Woman In Chains” when you first discover what romance is.

So I was on a plane to Chennai, India – which by the way, if you haven’t got the chance to check out the complete 2-set photo albums, I invite you to take a look (montage below).  For lack of entertainment choices on the SIA flights, I put Rimi Natsukawa’s new album on repeat – on my way to Chennai, and back.  I did sample “Self Selection” (あいのうた ~セルフセレクション・ベスト~) in several occasions at HMV Orchard but somehow, the album didn’t talk to me.  My first (and second and third) impression was that the sound is kind of old fashioned, kind of different from the rest of the J-pop I am so used to.  Needless to say, after the trip, I bought her album.

In fact, the kind of music is called Ryukyuan and Rimi Natsukawa is a folk singer.  Is it an universal truth that folk genre produces better singers than pop and rock?  And when did the Japanese start to have songs in English titles and lyrics with English words?  Either way, Rimi Natsukawa is a great singer and all the songs she selected is 100% Japanese.  Inside the album jacket, she wrote a small passage for each song explaining why she chose it, when she played it, and what the song means to her (note: I read the Chinese translation).

Is “Self Reflection” for you?  Hard to say.  Are you open for traditional Japanese music?  Maybe you wish to check out this old video of hers and see for yourself.  涙そうそう (“Sparkling Tears”) is my favorite track of the album.  Sure it doesn’t have the dynamic of a typical pop song.  It does however invoke emotion, a peaceful type of emotion.  And to me, it works.  This album works.

Categories
Hard Rock & Metal Music Reviews

Metallica – Death Magnetic – The Gigantic Metallic Beast Is Awakened

If someone was to tell me a few years ago that Kirk Hammett would once again pick up his guitar and be the legendary guitar hero he once was, I would chuckle in disbelief.  If someone was to tell me that the new Metallica album would sound like this, com’on!  Are you for real?

Blasting Death Magnetic on our way home, Cynthia and I were screaming out loud punching fists in the air.  At first listen!  I only managed to get into St. Anger after 250 times of album repeat (no kidding, I used to have a count in my computer and it is hard to decipher the seemingly random patterns).  Gosh!  Are we living in an alternative reality or what?!  Kirk Hammett has finally come to his senses and hammers out some real cool and original guitar solo tracks.  Check out the signature snare smashing double bass by Lars Ulrich.  Not just double-time, or quadruple-time, but octuple-time double bass.  You wouldn’t have thought someone in the mid-forties, hospitalized in 2004 having to miss the tour, still able to pull this sort of act off.  The new bassist Robert Trujillo who was recruited into the band during the St. Anger era (that scene of one million cash proposal on the table together with an equal share as seen in the video Some Kind of Monster is hard to forget) plays brilliantly in this album.  Certainly my favorite Metallica bassist of all time.  Hopefully, Metallica Inc. is going to keep this one.  James Hetfield’s voice is in top form, sounds confident (consider how far gone he was with the alcoholism and rehabilitation), and his lyrics reflect just that, “You rise, you fall, you’re down then you rise again.  What don’t kill ya make ya more strong”.  Isn’t it more positive than “Shoot me again I ain’t dead yet”?  Not to forget to mention the mad guitar riffing of the opening track, these two guitarists have rescaled the difficulty spectrum of thrash metal up a few notches.

Approach any Metallica fan and we all have our favorite eras.  Rarely you find someone (like me) who loves everything from Kill ‘Em All (1983) to St. Anger (2003) including that S&M live with the San Francisco Symphony.  Purists would love the pre-Black Album era of songs like “The Four Horseman”, “Ride The Lightning”, “Master of Puppets”, and “… And Justice For All”.  These are great tracks, no doubt.  I still remember learning the riffs of songs from that era.  Then came the 15 times platinum selling Black Album that most fans would acknowledge its significance.  Some say the Load and ReLoad eras are sell-out, way too commercialized to the hardcore fans’ liking.  Well, I happen to enjoy being indulged in those amid slower, but somewhat memorable melodies.  And as a defender of St. Anger, I find myself having to explain to people my philosophy of why St. Anger – despite lacking in Kirk’s solo – was ahead of its time.  If you listen to Death Magnetic closely, you may be able to recognize the bits and pieces originating from the chaos within St. Anger (read: If there was no St. Anger, there wouldn’t have been a Death Magnetic).

What the new producer Rick Rubin has done is amazing.  There is an overarching structure yet there are elements of jamming within; there are familiar melodic phrases yet the singing of “Sad But True” and the earlier work keeps ringing in my head; there are modern guitar effects yet the pure metal essence of the “Master of Puppets” lives inside Death Magnetic; there is even an instrumental track “Suicide & Redemption” that rivals “Orion”.  Death Magnetic is a consolidation of all that Metallica has offered in the last 25 years.  It is a unifying platform for all the Metallica fans out there to rejoice.

Related Site: Metallica TV on YouTube

Categories
J Pop Music Reviews

Anna Tsuchiya – Strip Me? Where Do You Draw the Lines?

I thought long and hard before buying the new album by a Russian/American/Japanese singer, model, and actress Anna Tsuchiya (土屋アンナ).  Exactly how do you draw the line between a good rock abum and a not so good vocalist (*ahem* I am looking at my band)?  Call it a Japanese album when 98% of the lyrics are in English?  A half Japanese who is not fluent in English but yet deliver an album not in Japanese? It’s hard to draw the lines.

One thing for sure though: She is hot!

“Strip Me?” is a rock album, no doubt.  And since I love the rock genre, I can overlook the vocal ability of Anna Tsuchiya.  Her opening track “Zero” does remind me of one of my favorite Japanese star Aikawa Nanase.  Where is Aikawa these days?  I have no idea.

Japanese artists these days like to cover English songs.  Mai Kuraki (倉木麻衣) does “Over the Rainbow”; BoA does “Last Christmas”; Yuna Ito does “My Heart Will Go On”; Mika Nakashima does “What A Wonderful World”.  They all stick to the original arrangement.  Mika Nakashima does create an offbeat version of  “My Way” that is not necessarily pleasing to the ears, but it’s fun to listen to.  And what about Anna Tsuchiya?

Some may say she (and her band) murders the song “True Colors”.  OK.  At first listen, you may not like it.  I thought the arrangement is pretty refreshing.  A lot noiser I suppose.  But she is a rock star, no?

I have been listening to the slow song “Forever” on repeat for many times.  It’s just Anna and the piano and the song is so, sad.  Below is the video clip for “Rose”.  Now come I am not surprised to find out that this song is related to the Nana amime series?  “Strip Me?” comes with a 15 tracks CD and a DVD of 4 songs – one of which is from her previous album I suppose.  OK, the song “Slap That Naughty Body” is so so but video is anything but.

Categories
Country Folk & Jazz Music Reviews

Fredrika Stahl – Tributaries – A Playfully Girlie Pop Jazz Album Now With a Different Sound

Young Swedish pop jazz singer and songwriter Fredrika Stahl’s 2nd album “Tributaries” got me initially disoriented and I couldn’t pinpoint what stands out in this new collection of songs.  There seems to be a departure of style as this new album has a more fresh varied upbeat theatrical sound while her debut is more instrumentally driven in a Jazz way.  To help you refresh on what her previous album sounds like, check out my YouTube video filmed during one of my oil painting sessions.  I used “Game Over” as the soundtrack.  I know I know, it’s not legal … but …

If my translation is correct (and if these are indeed French), “paroles, musiques, écrites, composé” would mean “words, musics, written, composes” in English.  That means, according to the album booklets, Fredrika Stahl composes almost all her songs.  No wonder, the memorable melody hooks and the light and girlie lyrics exist in both albums.

The difference, as I found out later, lies in the band.  In her debut, “Fraction Of You”, she has a more traditional Jazz band set-up while in her 2nd album “Tributaries”, she brings in an array of Parisian horn and string musicians.  Also, with more emphasis on electric guitars and drums, “Tributaries” does tilt toward the pop genre.  Besides musical instruments, sound effects are used to transform some of her songs into something refreshingly different.  Take “Oh Sunny Sunny Day”, it sounds exactly like a song coming out from a gramophone back in the 40’s or 50’s.  Outstanding.  In “One Man Show”, at one part, she sings with a whispering voice.  Very seductive.  Plenty of minor keys and half-notes and unexpected changes in the melody that prompt me to listen to the album again and again.  Sample the slow track “The Damage is Done” if you have the chance and you’ll see what I mean.

Lyrically, it’s girlie, yes.  But girlie with style.  Check out the lyrics of “Irreplaceable”.

I want to be remembered as “one of a kind”
Unique and why not “out of her mind”?
I want to be special, unpredictable and absurd
I want to tell people the most aberrant things they’ve heard
:
None of my partners introduced me to their folks
Afraid that I might pull off some awkward jokes
And once we’ve split up they would alway say
That I’m not a girl to marry anyway

Below is the teaser music video of one of my favorite tracks “So High”.  Don’t you find the lyrics … playful?  The actual song delivery seems different from the album.  A live recording perhaps?

Related Posts and External Site: Fredrika Stahl’s Debut – A Good Pop Jazz AlbumMy 8th Oil Painting – Battle Of The Ancient, Fredrika Stahl’s MySpace.

Categories
Classical Music Reviews

Hilary Hahn and Natalie Zhu – Mozart Violin Sonatas

It is of great pleasure that I finally get down to writing a blog entry on classical music.  When there is something that timeless, it’s easy to put the idea off to another day, and another day.  Most of you may not know that deep inside of this metal head, rocker wannabe of mine is a passionate lover for the classical genre.  I used to play clarinet for the Hong Kong Youth Orchestra, saxophone for my school band, and I used to be able to hum the melody of famous classical pieces from beginning to end, with my favorite being the five Mozart’s violin concertos.  While boys were used to play games during school recess, my best friend and I would race to the piano and I got to hear him playing his grade 8 and subsequently diploma pieces, day after day, month after month, year after year.  Before finally yielded to the temptation of pop music – thanks to Madonna’s album “Like a Virgin” – I listened to nothing but classical for all my life up to late teens.

Classical players interpret classical music.  Of those whom I am familiar with, I enjoy listening to Hilary Hahn’s recording the most.  One day, I may complete collecting all her albums.  To be honest, if you were to line up two world class violinists side by side and ask me to opine on which one is better, I probably wouldn’t be able to do that.  Having said that, I do believe that Hilary Hahn has great technique and such a versatile violinist she is, she has recorded the works of Bach, Beethoven, Barber, Meyer, Brahms, Stravinsky, Mendelssohn, Shostakovich, Elgar, Paganini, and Schoenberg since 1997.  It is because each album comes with a personal note from Hilary Hahn herself, as well as a commendatory write-up on the history and the technique involved in the recorded piece of work, it is much easier to appreciate what goes into each album.

And I immensely enjoy reading Hilary Hahn’s journal at her website as well.  If you are not into classical music or do not have the time and patience, you may not enjoy reading her rather long entries.  It’s not all about rehearsals, live performances, and technical details.  You get to read the different cultures she encountered during her International touring, the bizarre things that the crowd did, the dress that shrank after sent for dry cleanning right before the performance, and her thoughts on a huge crowd versus a small crowd that passionately loves her music.  I used to think it is OK to film live performances using my own phone or camcorder.  One time, Hilary Hahn actually stopped the performance halfway and gently requested one audience to switch off the recording device.  To her, performing live is to be able to be librated from the recording environment and be spontaneous.  In that sense, the artist doesn’t have to be conscious over recording and instead, plays for the moment.  Now I understood.

“Mozart: Violin Sonatas” was released in 2005, coincided with the 250th anniversary of Mozart’s birth.  Hilary Hahn plays the violin while Natalie Zhu plays the piano.  There are many good things to go for in this album.  I love Mozart’s work, and I love hearing the sound of the violin and piano.

Mozart’s violin sonatas flavor melody over counterpoint giving each instrument an equal role.  “Sonata in G major K. 301” was composed when Mozart was 22, full of joy he was, and it could well be inspired by his growing relationship with the Weber’s family’s daughter Aloysia whom he fell madly in love with.  In the same year, his mother died in Paris with him by her side.  An extremely painful period of his life and it shows in “Sonata in E minor K. 304” – the only violin sonata that is composed in a minor key.  The second movement “Tempo di Menuetto” is my favorite Mozart violin sonata composition.  It starts with a memorable melancholic melody by the piano, and then the violin takes over the lead role with piano as the accompaniment.  The roles then reverse and two melodies emerge from each instrument as the movement continues.  Familiar melancholic melody appears from time to time till the movement comes to an abrupt ending.

While both the K. 301 and K. 304 only has two movements, “Sonata in F minor K. 376” composed at the age of 25 comes with three.  This sonata is a dedication to his pupil Josepha Auernhammer whom Mozart deeply admired as a pianist.  Because of its graciously beautiful theme, I guess that is the reason why K. 376 has become the opening sonata for this album.

The last sonata of the album, “Sonata in A major K. 526”, signified the time when his father, his only teacher, died when Mozart was 31 years old, married with one child.  It was not as sad as K.304 – the one that was composed when his mother passed away.  Some say that it is a libration from paternal authority.  I personally feel that it is an emotional piece that honors his father in one glorious gesture.

“Mozart: Violin Sonatas” is a collection of five violin sonatas composed in key moments of Mozart’s life.  It is certainly one worth examining if you are into Mozart.

Related website: Hilary Hahn’s Official Site