Ayumi Hamasaki’s Guilty – It’s Near Perfect In My Book

Year 2000 was when Ayu released “Duty” – my favorite album before “Guilty”. Year 2000 was also the year when she started to realize that she has problem with her hearing that ultimately leads to her losing all hearing in her left ear by the time “Guilty” is released. At times I can’t help but wonder: is it because she knows she has an “end date” and therefore she works really hard to achieve as much as she physically can? As she wrote to her fans when she found that her left ear is inoperable: “I won’t stop. I won’t make excuses. As a professional, I would like to deliver the best performance for everyone”. In less than 10 years, she has released 10 studio albums and 4 compilation albums. 12 of which were debuted at number 1 in the Japanese weekly chart while the other two at number 2.

Ayumi Hamasaki has always been an inspiration to me. In year 2002, TIME did an interview with her (you can search the interview materials in YouTube when she conversed in English). I learned that Ayu’s success ingredient is to get involved in all aspects of her career and persona and she is so full of energy and determination to get to where she wants to be. She has raised the bar high as a total package – including music, concerts, and fashion – that I doubt any artist from Japan will come close to what she has achieved in the near future. She has certainly dominated my CD and DVD collection in terms of number of artwork per artist. You really should watch some of the recording of her concerts. Grandiose is the word to describe the quality of delivery.

I cannot find any song that I do not enjoy listening to in “Guilty”. The first track of a minute and a half makes a bold statement: “Guilty” is going to be one hell of a rock album. In fact, the next three songs are all rock oriented and I love them immensely. The fifth song titled “Guilty” brings down the pace and the next two songs are the most notable moderate to slow songs of the album. Then comes an instrumental, theatrical track that leads to “Marionette” – a slow song that contains a fair bit of electronic sound to it. The electronic sound intensified as the album progresses and she throws in another instrument song that leads to two more songs that are more traditional with a more J-pop feel.  Finally yet another instrument track that leads to the conclusion of a deeply emotional slow ballad “untitled ~for her~”. I cannot think of a better song to end the album.

Not sure if you will notice every single song from the “Guilty” album has a beginning, a middle, and an end – a proper song ending with no fading of music (in fact a major criteria for Cynthia to assess how good the songs are). Each song is sung with full emotion and with the right amount of accentuation (that contributes to the “middle” part). All the lyrics are written by Ayu herself. Her album comes with a DVD that contains 6 videos from “Guilty” and the making of all these 6 albums that make up to one hour of visual entertainment. I enjoy watching her music videos. More so for the making of clips as we fans get to gain an insight on what Ayu is like behind the camera.

At times I wonder why bad things happen to beautiful people like Ayu who has contributed so much. Only God knows. Now that she is determined to continue the tours, I hope and pray that her right ear can last her a lifetime.